Confluencia entre cultura nativa y blanca en el teatro nativo-americano contemporáneoGrandma y Grandpa (1984) de Hanay Geiogamah

  1. López Pérez, Sidoní 1
  1. 1 Universidad Internacional de La Rioja
    info

    Universidad Internacional de La Rioja

    Logroño, España

    ROR https://ror.org/029gnnp81

Revista:
Odisea: Revista de estudios ingleses

ISSN: 1578-3820

Año de publicación: 2019

Número: 20

Páginas: 91-104

Tipo: Artículo

DOI: 10.25115/ODISEA.V0I20.3416 DIALNET GOOGLE SCHOLAR lock_openAcceso abierto editor

Otras publicaciones en: Odisea: Revista de estudios ingleses

Resumen

Este artículo se centra en las obras teatrales, Grandma y Grandpa (1984) del dramaturgo nativo, Hanay Geiogamah, con la intención de reflejar cómo los personajes indígenas a menudo se encuentran en medio de una confrontación entre la cultura nativa y blanca que intentan reconciliar. Por una parte, es importante para ellos preservar sus tradiciones nativas y su identidad indígena; por otra parte, también ven necesario adaptarse a los cambios y costumbres de la sociedad moderna occidental, consiguiendo así una especie de conciliación entre ambas culturas que les permite asegurar su perpetuidad cultural y existencial a través del teatro nativo contemporáneo.

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Fuente de los datos: Dialnet