Confluencia entre cultura nativa y blanca en el teatro nativo-americano contemporáneoGrandma y Grandpa (1984) de Hanay Geiogamah

  1. López Pérez, Sidoní 1
  1. 1 Universidad Internacional de La Rioja
    info

    Universidad Internacional de La Rioja

    Logroño, España

    ROR https://ror.org/029gnnp81

Aldizkaria:
Odisea: Revista de estudios ingleses

ISSN: 1578-3820

Argitalpen urtea: 2019

Zenbakia: 20

Orrialdeak: 91-104

Mota: Artikulua

DOI: 10.25115/ODISEA.V0I20.3416 DIALNET GOOGLE SCHOLAR lock_openSarbide irekia editor

Beste argitalpen batzuk: Odisea: Revista de estudios ingleses

Laburpena

This essays focuses on Grandma and Grandpa (1984), two theater plays by the Native playwright, Hanay Geiogamah, in order to reflect how indigenous characters often experience a confrontation between Native and white culture that they try to reconcile. On the one hand, it is important for them to preserve their Native traditions and identity; on the other hand, they are also aware of the necessity of adapting themselves to the changes and customs imposed by modern Western society, whilst achieving a union between the two cultures that allows them to ensure their cultural and existential survival through contemporary Native theater.

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