La revolución desde dentro, y llegar hasta la luna montaje de investigación documental con un elenco con discapacidad

  1. Gomariz Zarapico, Fco.Javier
Zeitschrift:
Acotaciones: revista de investigación teatral

ISSN: 1130-7269

Datum der Publikation: 2022

Nummer: 49

Seiten: 15-35

Art: Artikel

DOI: 10.32621/ACOTACIONES.2022.49.01 DIALNET GOOGLE SCHOLAR lock_openOpen Access editor

Andere Publikationen in: Acotaciones: revista de investigación teatral

Zusammenfassung

When theater serves to change concepts, make people re-flect on taboo topics or stir consciences, it has been successful. And get to the moon is a co-production of the Centro Dramático Nacional (Spain), together with the theater company Proyecto 43-2, directed by María San Miguel in March and April 2021. The play is made up of a cast of actors with and without functional diversity. The theme is sex, violence and disability. In this article, we will see an analysis of the discourse provided from the experience of actors belonging to the pro-duction and the director herself. A revolution is a change of perspective, talking about issues that are not addressed, to find elements of union, which sometimes entails a subversion before a corseted system. Thus offering an analysis of how theater is capable of developing an open discourse, but capable of focusing on specific elements from different perspectives.When theater serves to change concepts, make people re-flect on taboo topics or stir consciences, it has been successful. And get to the moon is a co-production of the Centro Dramático Nacional (Spain), together with the theater company Proyecto 43-2, directed by María San Miguel in March and April 2021. The play is made up of a cast of actors with and without functional diversity. The theme is sex, violence and disability. In this article, we will see from the experience of actors belonging to the assembly and the director herself. A revolution is a change of perspective, talking about issues that are not addressed, to find elements of union, which sometimes entails a subversion before a corseted system. Thus offering an analysis of how theater is capable of developing an open discourse, but capable of focusing on specific ele-ments from different perspectives