Giovanni Piranesi y su diseño de chimeneas egipcias (1769). Un anticipo de la egiptomanía en el mobiliario y la decoración.

Bibliographische Referenzen

• Anderson, Jaynie. “Piranesi in Tiepolo’s Venetian studio.” In The Piranesi Effect, edited by Keirianne Stone and Gerard Vaughan, 59-78. Sydney: New South Books, 2014.
• Barry, Fabio. “Rinovare, anzichè ristorare: Piranesi as Architect.” In The Rome of Piranesi: The Eighteenth-century City in the Great Vedute, edited by Mario Bevilacqua and Mario Sassoli, 91-111. Rome: Artemide Edizione, 2006.
• Bevilacqua, Mario, “Piranesi’s Ironies and the Egyptian and Etruscan Dreams of Margherita Gentili Boccapoduli.” Studi sul Settecento Romano 32 (2016): 210-44.
• Bonfante, Larissa. “Nudity as a Costume in Classical Art.” American Journal of Archaeology 93, no. 4 (1989): 543-570.
• Britton, Jeanne. “Graphic Constructions of Knowledge in Piranesi’s Maps and Diderot’s Encyclopèdie.” Eighteenth-Century Studies 54, no 4, (2021): 957-978.
• Carver Wees, Beth. (2007) “Ancient Rome via the Erie Canal. The De Witt Clinton Vases.” Metropolitan Museum Journal 42 (2007): 139-162.
• Consoli, Gian Paolo. “Architecture and History: Vico, Lodoli, Piranesi.” In The Serpent and the Stylus: Essays on G.B. Piranesi, edited by Mario Bevilacqua, Heather Hyde Minor and F. Barry, 195-210. Michigan: University of Michigan Press, 2006.
• Curl, James Stevens. The Egyptian Revival. Ancient Egypt as the Inspiration for design Motifs in the West. Londres: Routledge, 2005.
• Dixon, Susan. “Giovanni Battista Piranesi’s Diverse maniere d’adornare i cammini and Chimneypiece as a Vehicle for Polemic.” Studies in the Decorative Arts 1, no. 1 (1993): 76-98.
• Dixon, Susan. “Vasi, Piranesi and the Accademia degli Arcadi: Toward a definition of Arcadianism in the Visual Arts.” Memoirs of the American Academy in Rome 61 (2016): 219-62.
• Ficacci, Luigi. “Roman Antiquity: Piranesi versus Mariette.” In The Piranesi Effect, edited by Kerrianne Stone and Gerard Vaughan, 185-199. Sydney: New South Books, 2014.
• Griener, Pascal. “The Fascination for Egypt During Eighteenth Century. History of a Configuration.” In Beyond Egyptomania. Objects, Style and Agency, edited by Miguel John Versluys, 53-70. Berlin: De Gruyter, 2020.
• Haslund, Anne. “A Food Chain of Objects. The Selection and Use of Egyptian Antiquities in Piranesi Diverse Maniere.” in Beyond Egyptomania: Objects, Style and Agency, edited by Miguel John Versluys, 151-68. Berlin: De Gruyter, 2020.
• Heather Hyde Minor and John Pinto. “Marcher sur les traces de sen père. The Piranesi Enterprise between Rome and Paris.” Studi sul Settecento Romano 32 (2016): 263-78.
• Hyde Minor, Heather. “G.B. Piranesi’s Diversi Manieri and the natural history of art.” Memoirs of the American Academy in Rome 56/57 (2011/2012): 323-51.
• Kirk, Terry. “Piranesi’s Poetic License: His Influence on Modern Italian Architecture.” In The Serpent and the Stylus: Essays on G.B. Piranesi, edited by Mario Bevilacqua, Heather Minor and Fabio Barry, 239-74. Michigan: Michigan University Press, 2006.
• Kisluk-Groshei, Daniele et al. European Furniture in the Metropolitan Museum of Art. New York: Metropolitan Museum of Art, 2006.
• Laing, Alastair. “The Eighteenth-Century English Chimneypiece.” Studies in the History of Art 25 (1989): 241-54.
• Leger, Kelly. “The Egyptian revival: a reassessment of Baron Denon’s influence on Thomas Hope.” Furniture History 40 (2004): 83-98.
• Loffredo, Fernando and Vagenheim, Ginette (eds.). Pirro Ligorio’s worlds. Antiquarianum classical erudition and the Visual Arts in the Late Renaissance. Leiden: Brill, 2019.
• Manassa, Colleen. Echoes of Egypt. Conjuring the Land of the Pharaohs. Yale University Press, 2014.
• Marshall, David. “Piranesi, Juvarra and the Triumphal Bridge Tradition.” The Art Bulletin 85, no. 2 (2003): 321-352.
• McGeough, Kevin. “Imagining Ancient Egypt as the Idealized Self in Eighteenth-Century Europe.” In Eighteenth Century, Thing Theory in a Global Context. From Consumerism to Celebrity Culture, edited by Ileana Baird and Christina Ionesca, 89-110. Londres: Routledge, 2013.
• Momigliano, Arnaldo. “Ancient History and the Antiquarian.” Journal of the Warburg and Cortauld Institutes 13, (1950): 285-315.
• Monahan, Casey. The Warwick vase and British Nostalgia. Houston: Universidad de Houston, 2014.
• Moser, Stephanie. “Reconstructing Ancient Worlds: Reception Studies, Archaeological Representations and the Interpretation of Ancient Egypt.” Journal Archaeological Method Theory 22 (2015): 1263-1308.
• Myers, Mary. Architectural and Ornamental Drawings: Juvarra, Vanvitelli & other Italian Draughtsmen. New York: Metropolitan Museum of Art, 1975.
• Neville, Kristoffer. “The Early Reception of Fischer von Erlach's Entwurff einer historischen Architectur.” Journal of the Society of Architectural Historians, 66, no. 2 (Junio 2007): 160-175.
• Palacios, Gonzales. “Piranesi and Furnishings.” In Piranesi as Designer, edited by Sarah E. Lawrence, 221-35. Cooper Hewitt Museum, 2007.
• Pantazzi, Michael. “Mural decoration for the Caffe degli Inglesi, Piazza di Spagna, Rome.” In Egyptomania. Egypt in Western Art 1730-1930, edited by Jean-Marcel Humbert, Michael Pantazzi and Christiane Ziegler, 62-75. National Gallery of Canada, 1994.
• Pasquali, Sussana and Smyth, Oona. “Piranesi Architect, Courtier, and Antiquarian: The Late Rezzonico Years (1762-1768).” In The Serpent and the Stylus: Essays on G.B. Piranesi, edited by Mario Bevilacqua, Heather Hyde Minor and F. Barry, 171-94. Michigan: University of Michigan Press, 2006.
• Pavanella, Giuseppe (ed.). Le arti di Piranesi: architetto, incisore, antiquario, vedutista, designer. Venecia: Marsilio Editore. 2010.
• Pinto, John. Speaking Ruins: Piranesi, Architects, and Antiquity in Eighteenth-Century Rome. Michigan: Ann Arbor, 2012.
• Pullins, David. “Robert Adam’s Neoclassical Chinoiserie.” West 86th: A Journal of Decorative Arts, Design History and Material Culture 24, no. 2 (2017): 177-200.
• Routh, Miranda. Robert Adam’s Revolution in Architecture. University of Pennsylvania, 2019.
• Rykwert, Joseph. The First Moderns: The Architects of the Eighteenth Century. Cambridge: MIT Press, 1980.
• Stillman, Damie. “Chymney-Pieces for the English Market: A Thriving Business in Late Eighteenth-Century Rome.” The Art Bulletin 59, no. 1 (1977): 85-94
• Tait, A. “Reading the ruins: Robert Adam and Piranesi in Rome.” Architectural History 27 (1984): 524-533.
• Van Eck, Caroline and Miguel John Verluys. “The Hotel de Beauhornais in Paris. Egypt, Greece, Rome and the Dynamics of Stilictic Tranaformation.” In Housing the New Romans: Architectural Reception and Classical Style in the Modern World, edited by Katharine von Stackelberg and Elisabeth Macauly-Lewis, 54-91. Oxford: Oxford University Press, 2017.
• Van Eck, Caroline. “Excavating in the Wanderstrasen der kultur. Piranesi’s candelabra and the material reception.” Aegyptiaca. Journal of the History of Reception of Ancient Egypt 4 (2019): 74-98.
• Vassilika, Eleni. “Hugh Last Fellowship: the Mensa Isiaca, an altar for a Roman Isis Temple.” Papers of the British School at Rome 87 (2019): 349-365.
• Wendort, Richard. “Piranesi’s Double Ruin.” Eighteenth-Century Studies 34, no.2 (2001): 161-180.
• Wilton-Ely, Johm. “Amazing and Ingenious Fancies. Piranesi and the Adam Brothers.” In The Serpent and the Stylus. Essays on G.B. Piranesi, edited by Mario Bevilacqua, Heather Hyde Minor and Fabio Barry, 213-37. University Michigan Press. 2006.
• Wilton-Ely, John. Piranesi as architect and designer. New York: Pierpont Morgan Library, 1993.
• Wilton-Ely, John. The Mind and Art of Giovanni Battista Piranesi. Londres: Thames & Hudson, 1978.
• Wittkower, Rudolf. “Piranesi and Eighteenth Century Egyptomania.” In Studies in the Italian Baroque (The Collected essays of Rudolf Wittkower), 259-73, Londres: Thames and Hudson, 1975.