La cara amable del jazz clásicoLouis Armstrong y Alta sociedad (High Society, Charles Walters, 1956)

  1. Pedro, Josep 1
  2. Gutiérrez-Martínez, Begoña 2
  1. 1 Universidad Carlos III de Madrid
    info

    Universidad Carlos III de Madrid

    Madrid, España

    ROR https://ror.org/03ths8210

  2. 2 Universidad Internacional de La Rioja
    info

    Universidad Internacional de La Rioja

    Logroño, España

    ROR https://ror.org/029gnnp81

Revista:
Eu-topías: revista de interculturalidad, comunicación y estudios europeos

ISSN: 2174-8454,  2340-115X

Año de publicación: 2022

Número: 23

Páginas: 117-130

Tipo: Artículo

DOI: 10.7203/EUTOPIAS.23.24656 DIALNET GOOGLE SCHOLAR

Otras publicaciones en: Eu-topías: revista de interculturalidad, comunicación y estudios europeos

Objetivos de desarrollo sostenible

Resumen

Questo articolo studia le forme di rappresentazione del jazz come tradizione afroamericana. In particolare, si concentra sulle sue implicazioni socio-culturali e politiche basate sulla figura di Louis Armstrong come rappresentante del volto amichevole del jazz classico. Il jazz è un genere musicale marginale agli esordi, che acquisisce una presenza mainstream di rilievo grazie alla sua integrazione nell’industria culturale, sollevando interrogativi sui modi in cui viene rappresentato. In primo luogo, affrontiamo la natura multidimensionale della musica in relazione a una nozione dinamica di immaginario. In secondo luogo, indaghiamo la politica di rappresentazione impiegata nella musica popolare attraverso il jazz classico, considerando l’identità etno-razziale e le nozioni di posa e taglio. Inoltre, si effettua un’analisi socio-semiotica di Alta società (High Society, Charles Walters, 1956), un musical hollywoodiano in cui Armstrong interpreta se stesso.

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Fuente de los datos: Dialnet