Confrontation and reconcilement in contemporary native american theaterTwo Native American plays
ISSN: 2695-9623
Año de publicación: 2022
Título del ejemplar: Monograph: "Towards a new definition of artistic expression?"
Volumen: 15
Número: 6
Tipo: Artículo
Otras publicaciones en: Human Review: International Humanities Review / Revista Internacional de Humanidades
Objetivos de desarrollo sostenible
Resumen
El teatro nativo-americano contemporáneo contiene una larga lista de obras que normalmente incluyen personajes indígenas y mestizos que a menudo viven entre dos mundos, es decir, la cultura nativa y la sociedad blanca americana. Por ello, suelen surgir enfrentamientos y conflictos entre ambas culturas, que normalmente se resuelven al final de las obras con la reconciliación o síntesis de los personajes entre su herencia cultural nativa y la sociedad blanca dominante. Así, los indígenas pueden asegurar su existencia y supervivencia cultural nativa al mismo tiempo que se adaptan a los cambios y costumbres que requiere la sociedad blanca americana.
Referencias bibliográficas
- Allen, P. G. (1992). The sacred hoop: Recovering the feminine in American Indian traditions: with a new preface. Beacon Press.
- Däwes, B. (2007). Native North American theater in a global age: Sites of identity construction and transdifference. Winter.
- Däwes, B. (Ed.). (2013). Indigenous North American drama: A multivocal history. State University of New York.
- Diyai, S. A. A., & Muhammad, M.G. (2018). Harmony of the fabric of society in Diane Glancy’s The woman who was a red deer dressed for the deer dance. Al-Ustath Journal for Human and Social Sciences, 3, 101-114.
- Geiogamah, H. (2000). The new American Indian theater: An introduction. In Hanay G., and Jaye T. D. (Eds.). American Indian theater in performance: A reader (pp. 159-164). UCLA American Indian Studies Center.
- Glancy, D. (2002). The woman who was a red deer dressed for the deer dance. American Gypsy: Six Native American plays. University of Oklahoma Press.
- Gómez, Terry. Inter-Tribal. In K. A. Perkins & R. Uno (Eds.), Contemporary Plays by Women of Color (pp. 199-214). Routledge.
- Heath, S. A. (1995). The development of Native American theater companies in the Continental United States. [Unpublished doctoral dissertation]. University of Colorado-Boulder.
- Huntsman, J. F. 2000. Native American theatre. In H. Geiogamah & J. T. Darby (Eds.), American Indian theater in performance: A reader (pp. 81-113). UCLA American Indian Studies Center.
- King, B. (2000). Emergence and discovery: Native American theater comes of age. In H. Geiogamah & J. T. Darby (Eds.), American Indian theater in performance: A reader (pp. 165-168). UCLA American Indian Studies Center.
- Lincoln, K. (1983). Native American Renaissance. University of California Press.
- López Pérez, S. & Benali Taouis, H. (in press). Las compañías teatrales nativas de Estados Unidos: Una historia concisa para entender su labor dentro del teatro nativo-americano contemporáneo. Editorial Dykinson.
- López Pérez, S. (2018). The unstable development of contemporary Native American theater: Sites of conflict and discussion. Proceedings of the International Conferences on Social Science, Humanity and Education, 19-33.Berlin. DOI: https://doi.org/10.33422/icshe.2018.12.65
- López Pérez, S. (2019). A concise overview of Native American written literature: Early beginnings to 1968. International Journal of Languages, Literature and Linguistics, 5(3), 176-185. DOI: https://doi.org/10.18178/IJLLL.2019.5.3.223
- López Pérez, S. (2020). Confluencia entre cultura nativa y blanca en el teatro nativo-americano contemporáneo: Grandma y Grandpa (1984) de Hanay Geiogamah. Odisea: Revista de Estudios Ingleses, 20(2019), 91-104. DOI: https://doi.org/10.25115/odisea.v0i20.3416
- López Perez, S. (in press). Mundos literarios en contraste: el teatro nativo-americano contemporáneo frente a otras formas literarias. Thomson Reuters-Aranzadi.
- López Pérez, S., and Benali Taouis, H. (2016). Native American theater: A concise history. Miscelánea: A Journal of English and American Studies, 54, 93-111. DOI: https://doi.org/10.26754/ojs_misc/mj.20166882
- Wheeler, J. (1991). A Revolution in Aboriginal Theatre: Our Own Stories. Canadian Theatre Review, 8-12.
- Wilmeth, D. B. (2000). Noble or ruthless savage? The American Indian on stage and in the drama. In H. Geiogamah & J. T. Darby (Eds.), American Indian theater in performance: A reader (pp. 127-156). UCLA American Indian Studies Center.
- Wong, H. D. (1991). Adoptive Mothers and Thrown-Away Children in the Novels of Louise Erdrich. In B. O. Daly & M. T. Reddy (Eds.), Narrating Mothers: Theorizing Maternal Subjectivities (pp. 174-192). University of Tennessee Press.
- Yashpreet, D. (2015). Amalgamation of Inter-generational and Gender Realities in Inter Tribal. International Journal of English Language, Literature and Humanities, 3(1), 149–156.