Cultura de la cancelación, restauracióny violaciónrevisión crítica del drama interpersonal entre influencers

  1. Arantxa Vizcaíno-Verdú 1
  2. Patricia de-Casas-Moreno 2
  3. Macarena Parejo-Cuéllar 2
  1. 1 Universidad de Huelva, España
  2. 2 Universidad de Extremadura, España
Liburua:
Redes sociales y ciudadanía: ciberculturas para el aprendizaje
  1. Ignacio Aguaded (coord.)
  2. Arantxa Vizcaíno-Verdú (coord.)
  3. Ángel Hernando-Gómez (coord.)
  4. Mónica Bonilla-del-Río (coord.)

Argitaletxea: Grupo Comunicar

ISBN: 9788493731694

Argitalpen urtea: 2022

Orrialdeak: 45-51

Mota: Liburuko kapitulua

DIALNET GOOGLE SCHOLAR lock_openSarbide irekia editor

Laburpena

The cancel culture exposes how social networks today have the capacity to transform problematic contentinto visible and judgmental community responses. Starting from the ability of users to cancel (micro)influencers for immoral, politically incorrect or dishonorable statements or behaviors, in this paper we conduct a critical review of the interpersonal drama between Naim Darrechi (TikTok), ElXocas (Twitch) and Schrödinger’sCat (YouTube) in relation to rape culture. The analysis leads towards the exploration of the spiral of cancellation and the consequent restoration of these Internet-born figures, whose online reputation and experience isdriven by noisy and reflexive micro-communities.

Datuen iturria: Dialnet