El cine comercial de ficción como vehículo de discursos oficiales en México (1946-1952)industria, público y géneros principales

  1. Iris Pascual Gutiérrez 1
  1. 1 Universidad de Valladolid
    info

    Universidad de Valladolid

    Valladolid, España

    ROR https://ror.org/01fvbaw18

Revue:
Collectivus: revista de ciencias sociales

ISSN: 2382-4018

Année de publication: 2015

Volumen: 2

Número: 2

Pages: 30-54

Type: Article

DOI: 10.15648/COLL.2.2015.3 DIALNET GOOGLE SCHOLAR

D'autres publications dans: Collectivus: revista de ciencias sociales

Résumé

During the presidency of Miguel Alemán (1946-1952), the film industry in Mexico was one of the most fertile fields for the state intervention in the economic and social life. This industry developed based on three parameters: profitability, low quality and predominance of conservative speeches. It is understood that these aspects are indissoluble, and to study the weight of the commercial movies as creator of models, imaginary, and other social issues, we will take into account to three realities: the mechanisms of relation between public power and private initiative in this ambience, the features of the Mexican spectator type and, finally, how the principal genres and themes were spreading messages of acceptance towards the official politicies.