Trasvase y simbolismo visual en El tiempo entre costuras

  1. Ana M. Malmierca Hernández 1
  2. Yolanda Martínez Martínez 2
  1. 1 Universidad Internacional de La Rioja, España
  2. 2 Universidad de Zaragoza, España
Revista:
Revista Inclusiones: Revista de Humanidades y Ciencias Sociales

ISSN: 0719-4706

Año de publicación: 2020

Título del ejemplar: Homenaje Natalia Milanesio

Volumen: 7

Número: 4

Páginas: 130-144

Tipo: Artículo

Otras publicaciones en: Revista Inclusiones: Revista de Humanidades y Ciencias Sociales

Resumen

The story narrated in the mini-series El tiempo entre costuras is an adaptation of a bestseller novel, from which it took its main source of inspiration. However, although the series was promoted as the filmic expression of literary fiction, a detailed examination reveals an elaborate work by the screenwriters, to add content and visual elements to the series that were not in the novel. A singular detail that characterizes the text of the series is the use of a set of objects as an inspiring source to structure the story and lengthen the content with respect to the novel's hypotext, in order to provide a greater dramatic impact and increase the emotion in the viewer. The aim of this study is to analyze in the script of the series, the use of certain specific objects that were managed with remarkable skill to generate new actions and configure a particular visual symbolism. The research shows that the insertion of new stories and even new characters in the main body of the novel, was done in a coherent way, so that the viewer does not appreciate a break with the initial hypotext.