Federico García Lorca y la música

  1. de la Ossa Martínez, Marco Antonio 1
  1. 1 Universidad de Castilla-La Mancha
    info

    Universidad de Castilla-La Mancha

    Ciudad Real, España

    ROR https://ror.org/05r78ng12

Journal:
Cuadernos de Investigación Musical

ISSN: 2530-6847

Year of publication: 2018

Issue Title: Estudios sobre el Patrimonio Musical Hispánico

Issue: 6

Pages: 335-351

Type: Article

DOI: 10.18239/INVESMUSIC.V0I6.1950 DIALNET GOOGLE SCHOLAR lock_openOpen access editor

More publications in: Cuadernos de Investigación Musical

Sustainable development goals

Abstract

Federico García Lorca (1898-1936) is undoubtedly one of the great international figures of twentieth century art. She is well known, underlined, represented and her facet of poet, playwright and essayist has been widely studied. But, perhaps, its enormous connection with music and the great space it offered to this art remains one of the most unknown profiles in a personality that we can define as polyhedra. In this paper we will approach his musical training, since music was the first vocation of Federico. We will also approach the musical library that he owned, very interesting in many ways, and the multiple musical references that he expressed in his poems, dramas and writings. In short, we will try to approach the Federico pianist, composer, researcher and lecturer, since he dictated numerous presentations with music as the protagonist. Finally, we will not forget to underline the friendship that united him with great personalities of the music of his time, among which Manuel de Falla stands out